Oldsmobile Toronado 1965 Painting Metal Print

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Bring your artwork to life with the stylish lines and added depth of a metal print.   Your image gets printed directly onto a sheet of 1/16" thick aluminum.

The aluminum sheet is offset from the wall by a 3/4" thick wooden frame which is attached to the back.   The wooden frame includes a hanging wire for easy mounting on your wall (see photo on the left).

All metal prints ship within 3 - 4 business days and arrive "ready to hang" with mounting hooks and nails.

Metal prints are extremely durable.   They're lightweight.  They won't bend, and they're water resistant.

The high gloss of the aluminum sheet complements the rich colors of any image to produce stunning results.

For additional product photos and information, visit our metal prints product page.

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Realistic acrylic painting of the Oldsmobile Toronado, painted by the Dutch fine artist Paul Meijering - the Original painting is 90 x 120 cm and for sale

The Oldsmobile Toronado is a personal luxury car that was produced by Oldsmobile from model years 1966 to 1992. Designed to compete with the Ford Thunderbird and General Motors' own Buick Riviera, the Toronado is historically significant as the first U.S.-produced front-wheel drive automobile since the demise of the Cord in 1937. The Toronado placed third in the 1966 European Car of the Year contest, a distinction no other American car has achieved before or since, and won the 1966 Motor Trend Car of the Year award in the U.S.
It used the GM E platform introduced by the rear-wheel drive Riviera in 1963 and shared a year later with the front-wheel drive Cadillac Eldorado. Although each had quite different styling, the threesome shared the E platform for most of the Toronado's 28-year history.

For almost 33 years now, Paul Meijering has been active with the paint brushes. As a 17- year old inspired youngster he joined the Academy of Arts in Enschede (Holland) in order to receive a native training in drawing- and painting technique. At that time (1980) the tendency of the abstract was running riot, and to his dismay and disappointment Paul found that the trade of the ancient masters was merely 'old hat', the realistic art being disregarded and looked down upon. After two years of useless botchery, there was only one conclusion to draw: "get autodidact, be a self-taught person!" Paul then left the academy to work for a living, but at the back of his mind there always loomed the passion of his life: to paint. At his spare time...

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